A website for the spatial design studio HUSH drops visitors through wormholes to stitch together projects and ideas.

A website that reads like a zine for the experimental and emerging ICA San Francisco.

MoMA PS1’s homepage is an endless communication stream designed to amplify the voices of artists and community organizations.

A website and video screens for Powerhouse Museum’s new program and exhibition showcasing 100 visionary Australians taking effective action to respond to climate change.

A digital exhibition platform for Willi Smith: Street Couture and future online exhibitions at the Cooper Hewitt, Smithsonian Design Museum.

We designed the signage and murals for the Brooklyn Public Library’s first new branch in 40 years, and the first to serve the Brooklyn neighborhood of Dumbo and the diverse community of Vinegar Hill.

A website for Island Press, a research based printmaking workshop at Washington University in St. Louis that was founded in 1978.

Our website design for Tufts University Art Galleries embodies their institutional values by being bold, thoughtful, and radical underneath the surface.

Like Sam Fox school, our website’s design and engineering emphasize flexibility, growth, and inclusion. Our website seeks to provide a kaleidoscopic view of the many kinds of learning and production that take place here.

Signage, wayfinding, posters, and digital screens for Amant’s campus across two blocks in Brooklyn by architects SO–IL.

Posters for Columbia GSAPP lecture series.

TEFAF Online emphasized realtime communication between visitors and gallerists — and also a sense of presence and being in a crowd among the visitors themselves.

A website for The European Fine Art Fair, one of the world’s preeminent organizations for fine art, antiques, and design.

A website for the Amant Foundation, an international private arts organization that fosters artistic experimentation and dialogue across disciplines through residencies and public programming in New York City and Chiusure in the heart of Siena province.

A website for Powerhouse Arts, a not-for-profit based in Gowanus and Red Hook, Brooklyn, established to create a robust platform for art production and employment in the arts.

An infinitely-variable mathematical flower is part of an identity system for an evolving institution.

A new brand and applications for Future Expansion to complement the website.

A new, customer-centered website reflects the growth and the multi-sector practice of the architects Deborah Berke Partners, along with their sensitive and principled approach to narrative and context.

A website for The Shed, a new performance and exhibition space in New York.

A portfolio site for a video production studio that draws its inspiration from the the serendipitous aspects of video editing.

A collection integration and publishing platform for the Tang Museum at Skidmore College.

CCS Bard’s new website serves the unique needs of each aspect of a composite institutional identity and makes visible the idyllic context in which the field of curatorial studies has thrived.

The Hirshhorn Eye: An image recognition interface brings the user into direct connection with the artist and the work.

Launched in February 2018, Yale School of Architecture’s new website is inspired by the school’s beloved building. It emphasizes “radical professionalism” – a balance between interdisciplinary community, student-led publishing, urban engagement, and world-class professional training and theory.

Adding to our online and print work with the Tang Museum, we designed the first of three planned publications to accompany their ongoing project, Accelerate: Access and Inclusion at the Tang Teaching Museum.

A website for the literary journal Salmagundi showcases its diverse history of intellectual engagement in the arts and humanities.

For Columbia GSAPP’s on-campus digital screens, we developed web-based software that allowed them to function as metaphorical clocks and display the latest events, exhibitions, books, student work, and e-blasts.

A digital archive and website for the New Museum foregrounds this radical institution’s expansive, multimedia collection history.

ICA LA website and identity trade an eclectic set of commercial and institutional vernaculars to build a surface that is both growing and about growth. Beneath that surface, we built a mission-driven and resilient infrastructure.

A new website and identity for a new museum: Our work for the Institute of Contemporary Art, Los Angeles amplifies the museum’s community-oriented mission, transparency, and awareness of place in the growing arts district of downtown LA.

The pleasantly surprising new website for the Brooklyn-based, independent, non-profit publishing house, Zone Books, empowers its content authors and celebrates language as medium.

We were excited and proud to see Menil start its online publishing section. As media-rich complements to their physical exhibitions, two online features have been produced, on the amazing Yupik masks and on the visual culture of the Dogon people.

Website for Williams College Museum of Art employs a flat hierarchy and oversized UI to create an experience that draws awareness to one’s path through the site.

Website for a community planning process to shape a sustainable, livable, and inclusive future for the Gowanus neighborhood.

Museo Jumex is the largest contemporary art collection in Latin America, and has moved into a new landmark building in Mexico City. The new website reveals the museum’s works as generously as the new building does.

An online and ePub publishing platform that champions the synthetic form of the book.

The interim site for Museum Jumex in Mexico city is conceived as a scaffold.

Our modular CMS that has been described as “fun to use” by our clients.

Linked by Air’s work across many channels for Columbia University’s Graduate School of Architecture, Planning, and Preservation emphasizes context, change over time, mark-making, and the school as a database. New identity, website, e-blast system, on-campus digital screens, and more.

Website for Columbia Books on Architecture and the City examines the point of view of the user as an inspiration for how we represent both printed and digital books.

Visual identity for Columbia GSAPP takes its initial inspiration from a 1914 gift to the school: a sixteen-ton dark-green granite sphere, placed at the center of campus.

Movie titles for the film, produced by the Canadian Center for Architecture that explores the controversial story of the planning and politics of a series of overpass that span the parkways of Long Island, New York City.

A brochure for the Tang Teaching Museum at Skidmore College. Released in conjunction with the our website for the Tang, we complete the thought “A Teaching Museum is…” through a narrative of uninterrupted images.

Legacy City Design is a resource for architects, urban planners, and policy makers working in American post-industrial cities.

Visual identity for Columbia Books on Architecture and the City is a permanent placeholder whose format always shifts to match the aspect ratio of the object it’s imprinted upon.

A website for Rice University School of Architecture’s colloqium on the future of physical and digital publishing.

The 2015/16 catalog for Columbia Books on Architecture and the City was something of a teaser for the new website and identity released later in the year.

Bug — A musical instrument you use to look at the world.

An interactive installation at Bard Graduate Center’s exhibition of Nam June Paik’s minimalist and funny Zen for Film finds a zero degree interface in an exploration of operating system motifs. And it exposes a rich vein of related artworks.

A comprehensive book that tells the complete Midnight Madness 2015 story. It was handed out to all players at the Metropolitan Museum of Art, the finish line of the game.

Website for Tang, a teaching museum and art gallery at Skidmore College, with a changing background pattern influenced by weather and visitors’ traffic.

The Menil Collection website displays a colorful and even theatrical approach to the web design and user experience, even as the design remains sober and minimalist.

Archaeology of the Digital advances what’s possible in a widely distributed ebook. Its liquid and responsive design is optimized for reading on various screens and its layout and typography alter automatically to suit each device and orientation in the hand.

Similar to the weaving gesture of the architecture, one way the site is organized is as a database of “everything”.

An introduction to the WAX magazine website, based on real-time weather conditions as reported by data-gathering buoys off Montauk Point.

Julia Kim Smith is an Asian American artist living in Baltimore. Her work is playful, political, and at times, viral. We turned her portfolio into a game, table, or remote control: a little bit surreal and with a rather dry sense of humor. It’s lightweight and behaves in a natural way within the web browser, tablet, and phone.

An initiative of the Menil Collection, the website for Gandhi’s Legacy: Houston Perspectives allowed more than 20 cultural organizations across Houston, Texas to contribute to this story of activism and social change.

Two-directional program book for the 17th conference of the International Confederation of Architectural Museums, split between Montreal at the CCA, and New York City at the MoMA.

The website for Future Expansion is a plan that expands, contracts, and reshuffles itself, a plan that can be customized by each user on demand.

Shrub — Make drawings on your camera!

The new website for the Whitney Museum is the first manifestation of the museum’s new graphic identity created by Experimental Jetset.

Browsing Yale AIDS Memorial Project online creates a momentum of discovery: grief is research. Here grief can be experienced as a shared thing, part of a transcendent, even celebratory movement.

Printed Matter, an art book store located in New York’s Chelsea district and the world’s leading seller of artists’ books, needed a website that would be a platform equally for art and commerce.

Midnight Madness Returns was an urban game in Manhattan on the night of October 6-7, 2012. From 7:45pm until 10:30am, 180 players on twenty teams raced to solve puzzles they found around the city. The project raised $1.4 million for the children’s charity Good Shepherd Services.

A website for New Art Dealers Alliance (NADA) places special emphasis on the wide range of activities organized by the New York-based, not-for-profit collective—including its annual art fairs in April, May, and December. We see the site as an extension of NADA’s aim to share information and resources both within the contemporary art world and beyond.

Website for the New York-based Center for Urban Pedagogy (CUP) brings together all of the great programs, projects, workshops, and events that CUP regularly initiates, in a fun way – it reminds us of their office.

Website for Public Access Design by CUP enables designers and community advocates to connect and collaborate, functioning as an online environment that nurtures socially and politically engaged design work.

Visual identity, invitation, and signage for Public Art Fund’s outdoor exhibition, People, at Brooklyn Bridge Park which features three new sculptures by Oscar Tuazon.

Our website for Roosevelt Island Explorers (RiEx) organizes the activities of educators and children working together to develop an early childhood program on New York’s Roosevelt Island. The design places special emphasis on projects and events meant to engage parents and educators in educational opportunities and possibilities on the island.

Website for the sculptor Sarah Oppenheimer echoes the intricate, sometimes convoluted internal relationships within and among her work. A large “R&D” section reveals some of the amazing moments that occur during the production of her work.

Website for Samosapedia, an online crowd-sourced, urban-dictionary-style guide to all the English words from South-East Asia.

ManyLabs is a website that contains interactive science and math lessons. Some of these lessons correspond with real-world sensors. The interactive lessons guide students through using the sensors to explore scientific concepts. We helped skin the website so that the individual lessons are easier and more engaging for students.

With artist Julia Kim Smith, we’ve launched 100 Survivors, a collaborative photo and video project for women diagnosed with breast cancer.

New website for the London art gallery Greengrassi highlights current and upcoming exhibitions in their space.

The Away With Words app for iPad and iPhone is award-winning cinematographer Christopher Doyle’s celebration of how words and images collide to form new, often ironic associations.

For the first time, Yale’s arts calendar brings arts events and performances from many institutions and departments across this large university, together onto one surface.

Easy, fluid reading was a primary goal for the new ArtAsiaPacific’s website. Many articles are also available in Arabic and Chinese.

A 12-minute video loop for Korean artist Do Ho Suh’s project, A Perfect Home, that shows 16 years of global ocean current movement, drawn from NOAA’s OSCAR satellite remote sensing project.

When the curators of Parallelograms asked us to contribute a piece of work, we thought about something that could symbolize our interest in change. We resurrected the fish screensaver, but with a twist. The fish get bigger each day (they have a growth spurt each night at midnight, to be precise). Every seven days they get small again.

Website for Pick Up Performance Co(s), the production company of the seminal postmodern theater director, choreographer and writer David Gordon, and his son Ain Gordon.

The Happy Prince, a public sculpture by Ryan Gander, was our second project with Public Art Fund, and included a website (with lots of great material), invitation, sign, street banners, and magazine advertising. The identity and website work as a kind of disjointed fairy tale.

The cloth-bound catalogue for the Statuesque exhibition by Public Art Fund features full-spread cinematic sequences of perspectives around the park and essays by several authors.

Identity, printed matter, signage, and website for Public Art Fund’s outdoor exhibition, Statuesque.

The book for MOS Architects’ project, Element House, is organized as five stepped, nested signatures, producing a visceral sense of the building’s modularity.

Immigrants Beware! foldout poster explores the immigration consequences of criminal convictions for non-citizens.

With designer Lana Cavar from Zagreb, we created the interior and exterior signage system for the Zagrebački Plesni Centar (ZPC), a dance theater in Zagreb built by 3LHD Architects.

Website for Making Policy Public, a neat initiative of the Center for Urban Pedagogy that pairs designers with advocacy groups.

On this online map of the Yale University campus, you can locate 322 buildings by browsing or searching among hundreds of campus organizations and departments. Even cooler, you can reach 428 Yale websites by finding them in buildings. The map is a way to explore the Yale web as well as the Yale campus.

Our goal was to give the School of Art a website that would change every day, with no staff to do this. To attract prospective students, an art school’s website should have just as much vitality as the art school itself. And for current students, faculty, and staff, an art school’s website should be as much a part of their shared lives as the school’s physical building is.

Linked by Air dabbles in the demoscene/makes a realtime responsive 3D environment/ok, disco light show.

Celebrity news headlines appear as a realtime “event garment” on the 3D renderings in Prada’s Los Angeles store.

Packaging for MOS Architects’ IVY system of coat hooks.

Video cameras were attached to each screen in Prada’s Soho epicenter store and several different computer programs transformed and twisted customers’ images in beautiful and fun ways as they moved past.