A set of screens for visitors to engage with Toledo Museum of Art’s new exhibition of its American art collection. Feedback is visualized in real time in public, and curators will use the data to make changes to the exhibition across its two-year run.

A website and video screens for Powerhouse Museum’s new program and exhibition showcasing 100 visionary Australians taking effective action to respond to climate change.

We designed the signage and murals for the Brooklyn Public Library’s first new branch in 40 years, and the first to serve the Brooklyn neighborhood of Dumbo and the diverse community of Vinegar Hill.

Signage, wayfinding, posters, and digital screens for Amant’s campus across two blocks in Brooklyn by architects SO–IL.

A website for The Shed, a new performance and exhibition space in New York.

The Hirshhorn Eye: An image recognition interface brings the user into direct connection with the artist and the work.

For Columbia GSAPP’s on-campus digital screens, we developed web-based software that allowed them to function as metaphorical clocks and display the latest events, exhibitions, books, student work, and e-blasts.

Linked by Air’s work across many channels for Columbia University’s Graduate School of Architecture, Planning, and Preservation emphasizes context, change over time, mark-making, and the school as a database. New identity, website, e-blast system, on-campus digital screens, and more.

An interactive installation at Bard Graduate Center’s exhibition of Nam June Paik’s minimalist and funny Zen for Film finds a zero degree interface in an exploration of operating system motifs. And it exposes a rich vein of related artworks.

An introduction to the WAX magazine website, based on real-time weather conditions as reported by data-gathering buoys off Montauk Point.

Midnight Madness Returns was an urban game in Manhattan on the night of October 6-7, 2012. From 7:45pm until 10:30am, 180 players on twenty teams raced to solve puzzles they found around the city. The project raised $1.4 million for the children’s charity Good Shepherd Services.

Visual identity, invitation, and signage for Public Art Fund’s outdoor exhibition, People, at Brooklyn Bridge Park which features three new sculptures by Oscar Tuazon.

A 12-minute video loop for Korean artist Do Ho Suh’s project, A Perfect Home, that shows 16 years of global ocean current movement, drawn from NOAA’s OSCAR satellite remote sensing project.

When the curators of Parallelograms asked us to contribute a piece of work, we thought about something that could symbolize our interest in change. We resurrected the fish screensaver, but with a twist. The fish get bigger each day (they have a growth spurt each night at midnight, to be precise). Every seven days they get small again.

The Happy Prince, a public sculpture by Ryan Gander, was our second project with Public Art Fund, and included a website (with lots of great material), invitation, sign, street banners, and magazine advertising. The identity and website work as a kind of disjointed fairy tale.

Identity, printed matter, signage, and website for Public Art Fund’s outdoor exhibition, Statuesque.

With designer Lana Cavar from Zagreb, we created the interior and exterior signage system for the Zagrebački Plesni Centar (ZPC), a dance theater in Zagreb built by 3LHD Architects.

Linked by Air dabbles in the demoscene/makes a realtime responsive 3D environment/ok, disco light show.

Celebrity news headlines appear as a realtime “event garment” on the 3D renderings in Prada’s Los Angeles store.

Video cameras were attached to each screen in Prada’s Soho epicenter store and several different computer programs transformed and twisted customers’ images in beautiful and fun ways as they moved past.