Posters for Columbia GSAPP lecture series.

An infinitely-variable mathematical flower is part of an identity system for an evolving institution.

A new brand and applications for Future Expansion to complement the website.

Adding to our online and print work with the Tang Museum, we designed the first of three planned publications to accompany their ongoing project, Accelerate: Access and Inclusion at the Tang Teaching Museum.

ICA LA website and identity trade an eclectic set of commercial and institutional vernaculars to build a surface that is both growing and about growth. Beneath that surface, we built a mission-driven and resilient infrastructure.

Visual identity for Columbia GSAPP takes its initial inspiration from a 1914 gift to the school: a sixteen-ton dark-green granite sphere, placed at the center of campus.

A brochure for the Tang Teaching Museum at Skidmore College. Released in conjunction with the our website for the Tang, we complete the thought “A Teaching Museum is…” through a narrative of uninterrupted images.

Visual identity for Columbia Books on Architecture and the City is a permanent placeholder whose format always shifts to match the aspect ratio of the object it’s imprinted upon.

The 2015/16 catalog for Columbia Books on Architecture and the City was something of a teaser for the new website and identity released later in the year.

A comprehensive book that tells the complete Midnight Madness 2015 story. It was handed out to all players at the Metropolitan Museum of Art, the finish line of the game.

Two-directional program book for the 17th conference of the International Confederation of Architectural Museums, split between Montreal at the CCA, and New York City at the MoMA.

Midnight Madness Returns was an urban game in Manhattan on the night of October 6-7, 2012. From 7:45pm until 10:30am, 180 players on twenty teams raced to solve puzzles they found around the city. The project raised $1.4 million for the children’s charity Good Shepherd Services.

Visual identity, invitation, and signage for Public Art Fund’s outdoor exhibition, People, at Brooklyn Bridge Park which features three new sculptures by Oscar Tuazon.

The Happy Prince, a public sculpture by Ryan Gander, was our second project with Public Art Fund, and included a website (with lots of great material), invitation, sign, street banners, and magazine advertising. The identity and website work as a kind of disjointed fairy tale.

The cloth-bound catalogue for the Statuesque exhibition by Public Art Fund features full-spread cinematic sequences of perspectives around the park and essays by several authors.

The book for MOS Architects’ project, Element House, is organized as five stepped, nested signatures, producing a visceral sense of the building’s modularity.

Immigrants Beware! foldout poster explores the immigration consequences of criminal convictions for non-citizens.

Packaging for MOS Architects’ IVY system of coat hooks.